Skip to main content

Behind the scenes: Calysto Skirt

I thought it would be fun to show you the behind the scenes pics I took on our location shoot, taken in the depths of Winter by Brighton Beach, Victoria. 
Our model, Jackie Coogan, did a stellar job, not complaining once in the 7 degree temperature over the 5 hours shoot, even standing in the wet grass, while the rest of us looked on with shivering limbs.
Our photographer is the amazingly talented James Ballard. I think you can agree that the photos speak for themselves in showcasing the calibre
Dave was our motion man for half the day - unfortunately he went home ill, but not before shooting some incredible footage - I cant wait to show you. These boys have some serious talent!

 These made the website:
Jackie wears the Calysto Skirt (SK003) with Fawn Crop Top (BL010)
and
-XOX-

Popular posts from this blog

The Man I Was Taught to Fear

There are people we grieve twice in a lifetime. Once for who they were. And once for who we were never allowed to know. My father is one of them. When I was a child, my mother told me he was a paedophile. She didn’t whisper it. She didn’t hesitate. She said it plainly, as fact. As warning. As control. When we misbehaved, she would drop us at the greyhound station and force us to spend sleepless weekends with him. I remember the noise of the station. The way my stomach would knot. The terror that would sit in my chest at night when the lights went out. I was absolutely terrified to sleep. He was a workaholic. Twelve-hour days. Long hours. Absence disguised as provision. He would leave cash on the bench, stockpiles of food in the fridge, and the television on - a wild luxury I couldn’t enjoy because fear had already moved in. At home with my mother, we weren’t allowed a TV at all. Looking back now, my father was unemotional, but never unkind. He didn’t ask questions. He didn’t offer hims...

Versions, and “Versions”

I’ve already written about  The Wiiyaan   as a journalist. That piece lives in the Tweed Weekly . It’s careful, respectful, measured. It honours Bundjalung origin story, place, and the quiet authority of listening. It was written for a broad audience, many of whom - like me - come from settler families, carrying our own histories alongside the land we now call home. But after filing that story, I knew I wasn’t done. Some stories ask something back from you. This one did. So this is the version that doesn’t fit in a newspaper column. This is the version that explains why that exhibition cracked something open in me - why listening to Kyle Slabb speak about holding  one  version of Country, with care and restraint, felt like a mirror I wasn’t expecting. Kyle spoke about perspective. About how this telling is not  the  story, but  a  story - shaped by lineage, responsibility and law. He was clear, careful, and deeply respectful of other versions held...

The Story Behind the Front Page

When I walked into the Tweed Weekly office to meet Jonathan, the editor, I was mostly just hoping I’d find the right door. I’d been asked by my friend (and journalist) Madeline Murray to fill in for her while she recovers from surgery - my first little step into local journalism. Jonathan looked up, smiled, and said:  “I recognise you, you’ll be in the paper tomorrow.” The week before, Madeline and I had worked on a story about a local collaboration - I had no idea it would end up splashed across the front page. Full circle moments have a funny way of sneaking up on you. I first met Dean three years ago at TAFE - I was studying photography, and he was in graphic design. We used to talk about how incredible it would be if students from different creative disciplines actually worked together , like we would in the real world. Fast forward to now: I’m wrapping up my Diploma of Fashion Design, and Dean has just completed the same Certificate IV Photography course I once did. Afte...