Rada Priya

This look centres on my oversized “Demi” coat - the hero piece from my Origine Graduate Collection. I designed it as a strong, statement outer layer, using high-quality faux fur and reclaimed materials to keep the piece aligned with my eco-friendly values. It’s bold, comfortable, and intentionally dramatic, the kind of coat that changes how you stand the moment you put it on. Underneath, it's paired with layered silks and textured detailing made from ethical and upcycled fabrics. Most of the materials in this outfit were sourced second-hand or repurposed from past projects, which is the way I prefer to work: low-waste, thoughtful, and practical without losing the beauty of the design. Dean James  shot this series in  Victoria Springs  studio within the  M|Arts precinct,  and his photography brought out exactly what I hoped to show - the mix of strength, softness and sustainability that shaped this collection. This is Part One of the shoot.  By Rada Campbell...

Some collaborations arrive without fuss, they just work. Shooting with fellow TAFE student Nicole McKenzie became one of those unexpected highlights of my year. We’re both still refining our craft - she behind the camera, me behind the seams - and figuring out how to translate who we are into what we create. What stood out immediately was how Nicole saw my work. She didn’t just photograph the garments; she noticed the structure, the stitching, the choices that usually only the maker pays attention to. Her images showed my designs, and me, with a clarity that felt grounding and true. We were lucky to have Dannika with us, too -teacher, friend, and quiet powerhouse. She guided Nicole through the technical angles and helped me with poses and styling, keeping the shoot sharp, intentional, and industry-ready. The three of us worked in an easy rhythm that made the process feel collaborative rather than staged. These are the moments that remind me why studying in a creative community matters:...

Edwina Johnson had never photographed fashion before, and that openness - her willingness to learn, to ask, to absorb advice from fellow students and teachers-gave this shoot its own kind of magic. No ego, no pressure, just the curiosity of someone discovering a new craft in real time. Dean James guided us with both technical clarity and stylistic direction, helping shape the light, angles and mood so Edwina could explore freely. A beautiful documentation of my designs: