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Versions, and “Versions”

I’ve already written about  The Wiiyaan   as a journalist. That piece lives in the Tweed Weekly . It’s careful, respectful, measured. It honours Bundjalung origin story, place, and the quiet authority of listening. It was written for a broad audience, many of whom - like me - come from settler families, carrying our own histories alongside the land we now call home. But after filing that story, I knew I wasn’t done. Some stories ask something back from you. This one did. So this is the version that doesn’t fit in a newspaper column. This is the version that explains why that exhibition cracked something open in me - why listening to Kyle Slabb speak about holding  one  version of Country, with care and restraint, felt like a mirror I wasn’t expecting. Kyle spoke about perspective. About how this telling is not  the  story, but  a  story - shaped by lineage, responsibility and law. He was clear, careful, and deeply respectful of other versions held...

Selene - silk, glass and swarovski

Edwina Johnson had never photographed fashion before, and that openness - her willingness to learn, to ask, to absorb advice from fellow students and teachers-gave this shoot its own kind of magic. No ego, no pressure, just the curiosity of someone discovering a new craft in real time. Dean James guided us with both technical clarity and stylistic direction, helping shape the light, angles and mood so Edwina could explore freely. A beautiful documentation of my designs: